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Simple Plan Whats My Age Again

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1999 single by Blink-182

"What's My Historic period Again?"
WhatsMyAgeAgain.jpg
Single by Blink-182
from the album Enema of the State
Released April xiii, 1999
Recorded Jan–March 1999
Genre Pop punk
Length 2:26
Label MCA
Songwriter(s)
  • Mark Hoppus
  • Tom DeLonge
Producer(s) Jerry Finn
Blink-182 singles chronology
"Josie"
(1998) 		"What's My Age Again?"
(1999) 		"All the Small Things"
(2000)

"What'southward My Historic period Once again?" is a song by American rock ring Blink-182. It was released in April 1999 as the lead single from the group's tertiary studio anthology, Enema of the Land (1999), released through MCA Records. "What's My Age Again?" shares writing credits between the band's guitarist Tom DeLonge and bassist Mark Hoppus, but Hoppus was the primary composer of the vocal. Information technology was the band's showtime single to feature drummer Travis Barker. A mid-tempo popular punk vocal, "What's My Age Again?" is memorable for its distinctive, arpeggiated guitar intro.

The song lyrically revolves around the onset of age and maturity, and the failure to implement changes in 1'due south beliefs. Hoppus declined to label the song every bit autobiographical, but admitted that he spent his twenties interim young. The trio recorded the song with producer Jerry Finn. It was originally titled "Peter Pan Circuitous", an allusion to the pop-psychology concept, but the record characterization constitute the reference obscure and adapted the title. The song's signature music video famously features the band running nude on the streets of Los Angeles. Information technology received heavy rotation on MTV and other music video channels.

It became one of the band's all-time-performing singles, peaking at number ii on Billboard 'south Modernistic Rock Tracks chart in the U.South. for ten weeks. The song placed at number three in Italy and number 17 in the United Kingdom. Primarily an airplay hit, the song was the band's first to cantankerous over to pop radio, hitting number 58 on the Billboard Hot 100. The song received positive reviews and has been called a archetype pop punk track; NME placed it at number 117 on its listing "150 Best Tracks of the By xv Years" in 2012.[1]

Background and writing [edit]

Bassist and vocalist Mark Hoppus initially composed the song as a joke.

Glimmer-182, consisting of bassist Mark Hoppus, guitarist Tom DeLonge, and drummer Scott Raynor, formed in the early 1990s, and by the stop of the decade, had reached commercial success with their 2nd album, 1997'south Dude Ranch. Its lead unmarried, "Dammit (Growing Upwardly)", became i of the most-played U.South. modern rock hits of 1998,[2] sending its parent album to a aureate certification and bringing the members newfound notoriety and wealth. With his first advance from major-label MCA, Hoppus purchased a home in the band'southward hometown of San Diego, California. Hoppus adult "What'southward My Age Once more?" while sitting on the floor and playing guitar in his kitchen/living room.[3] He was attempting to play the song "J.A.R." by Green Day, which has a distinctive intro on bass guitar. While practicing playing the riff, Hoppus came up with a new song derived from his failure to perform the role correctly.[4]

Though he initially developed information technology as a vulgar joke song,[5] he felt it had potential as a regular tune. Hoppus claims it took him five minutes to write. He later presented the song to the ring while rehearsing at DML Studios in Escondido, California, where they had booked fourth dimension for two weeks to write new songs.[6] Earlier that year, Raynor had been expelled from the group and replaced with percussionist Travis Barker, previously of the ska-punk deed the Aquabats. He and DeLonge found the composition amusing and further developed it in the rehearsal space. The story in the song is not strictly autobiographical, but its primal theme resonated with Hoppus, who spent his twenties by his own admission "acting like a jackass teenager".[7] Barker agreed, later on commenting: "[Marking] was a grown man but kept acting similar a kid."[6] Many Glimmer songs center on maturity—"more specifically, their lack of it, their attitude toward their lack of information technology, or their eventual broad-eyed exploration of it" according to author Nitsuh Abebe.[viii]

Limerick [edit]

"What'south My Historic period Over again?" is credited to Tom DeLonge and Marker Hoppus.[9] Though Barker helped write the songs on Enema of the State, only Hoppus and DeLonge received songwriting credits, as Barker was technically a hired musician, not official band member.[x] The vocal is two minutes and xx-8 seconds long. The vocal is composed in the central of F-abrupt major and is prepare in fourth dimension signature of common time with a driving tempo of 158 beats per minute. Hoppus' vocal range spans from C3 to Ffour.[eleven] It follows a I–V–vi–IV chord progression, mutual beyond several genres of music. The ring employ the progression in numerous other singles; music educator and author Dan Bennett claims the progression is sometimes called the "pop-punk progression" because of its frequent use in the genre.[12] The song is incredibly cursory compared to nigh singles; within 1 infinitesimal, nearly 2 full verses and a chorus take been completed, and it in full runs two minutes and twenty-half-dozen seconds.[3]

The song opens with a catchy, arpeggiated guitar office, following the song's chords in playing the root of each chord. The part has been considered tricky to perform; given its quick, articulated nature, it tin be difficult to skip over the strings properly.[3] Hoppus's bass line, which has been compared to the Pixies' vocal "Debaser",[13] situates on the root notes of each chord.[12] The song'southward first poesy detail an intimate human relationship gone awry. Hoppus sings of wearing cologne in hopes to impress a girl on a weekend date. Upon returning abode, foreplay ensues, during which the protagonist begins watching television.[xiv] This prompts his insulted partner to get out, leading into the song's chorus, in which Hoppus sings that "nobody likes you when you're 23." Hoppus was 25 when he wrote the song, and only included the lyric to rhyme. The song utilizes power chords in its chorus, and substitutes the arpeggiated intro for palm-muted power chords in the succeeding verse.[three]

Each chorus is lyrically distinct, which was one of Hoppus'south original goals; he felt this approach kept the song interesting and avant-garde the story in a creative way. Hoppus had once read that "the best fine art is the development of familiarity": an artist introduces an idea, a listener connects with it, and the creative person slightly alters the original idea to retain a familiar feeling.[3]

Recording and product [edit]

"What's My Age Once more?" was the trio's first single with drummer Travis Barker.

Subsequently further development, the grouping presented it to producer Jerry Finn. A veteran engineer, Finn came to fame mixing Green Day's breakthrough album Dookie (1994). Finn was suggested by the label as an selection for producing Enema of the State; the band got forth with him immediately, and continued to piece of work with him on their future projects. Finn would suggest and make adjustments where necessary, though in the case of "What'due south My Age Again?", he had little notes. Past the time Hoppus presented the vocal to his bandmates, the commencement verse and chorus were written, with its second verse and bridge section needing further piece of work. Hoppus and DeLonge crafted an instrumental bridge that went on for viii measures, which all agreed felt too long.[iii] Finn assisted in shortening the department, and the group recorded a demo at DML Studios.

Within the new year's day, the group recorded the song proper. The drums on Enema of the State were tracked at Mad Hatter Studios in North Hollywood, a space in one case owned by jazz musician Chick Corea. Hoppus remembered that Finn was meticulous in recording the kit, spending hours on microphone placement, as well as picking compressors and at which charge per unit they would run.[iii] Barker recorded his drum portions, besides every bit the rest of the album's twelve songs, in eight hours.[xv] From in that location, Hoppus and DeLonge recorded their bass and guitar tracks at multiple studios throughout Los Angeles and San Diego.[9] The band brought in session musician Roger Joseph Manning Jr.—best known for his career in the band Jellyfish and work with Brook—to add keyboard parts in the background of the vocal.[sixteen]

The song originally concluded later its terminal chorus. While recording, Hoppus liked how the arpeggiated chord progression continued over the rhythm guitar line in the last chorus, and wished to extend its length to highlight this element. In the pre-digital recording environment, this required the team to "bounce" the mix from the analog tape recorder (a 24 runway two-inch tape) to another tape, and splice the recordings together. With recording complete, the song was sent to engineer Tom Lord-Alge, who mixed the song at his S Beach Studios facility in Miami Beach, Florida.[17] Lord-Alge had had previously remixed the Dude Ranch singles "Dammit" and "Josie" for radio, and would piece of work with the group frequently in the futurity. Lord-Alge added subtle touches, including a panning effect for the title phrase in the last chorus.[3]

Release and chart functioning [edit]

The song's title originally referenced fictional children's character Peter Pan.

The working championship for the song was "Peter Pan Complex",[18] referencing the popular psychology concept of an adult who is socially immature. Executives at MCA Records were uncertain that listeners would connect with the title, given it goes unmentioned in the vocal's lyrics. Previously, the label had appended parentheses to its two stateside singles from Dude Ranch: "Dammit (Growing Up)" and "Josie (Everything'southward Gonna Exist Fine)". The label was likewise concerned nearly litigation from the Walt Disney Company, who held rights to the proper name post-obit their motion picture adaption.[3] The band disliked the suggestion,[xix] only given the artistic freedom MCA had afforded them throughout recording, agreed to the alter. Hoppus later conceded the new title fabricated more sense and "feels right".[three] Band management and label executives saw a potent unmarried in "What's My Age Once more?" although DeLonge felt otherwise: "I didn't understand it, because up to that point, we hadn't had a big single."[19]

Commercially, "What's My Age Again?" became one of the band's all-time-performing singles. It was picked as the lead single from Enema of the State. Information technology was first serviced to radio in April 1999, and premiered on KROQ-FM, an influential Los Angeles alternative station. Hoppus remembered the grouping were finalizing mixing the album when the song debuted.[20] The song did best on Billboard 's Modern Stone Tracks chart; the song commencement entered the chart during the week of May eight, where it debuted at number 21.[21] It kickoff hit the top five during the week of June 5,[22] and striking number two on July 24,[23] where it remained for 10 weeks behind the Red Hot Chili Peppers' "Scar Tissue".[24] The song crossed over to mainstream radio in mid-1999, where it debuted at number 71 on the Billboard Hot 100 on July 17.[25] It after peaked at number 58 in the result dated Oct 23.[26] The song had previously peaked at number 51 on the Hot 100 Airplay chart on September 11.[27] In the United kingdom of great britain and northern ireland, the song was released twice, kickoff on September xx, 1999, and again on June 26, 2000, following the success of "All the Modest Things.[28] [29] The 2000 re-release peaked at number 17 on the U.k. Singles Chart.[30]

Critical reception [edit]

The truth is that it was e'er a little strange for grown men to be writing songs about prom night and other loftier-school pitfalls, merely "What's My Age Once again?" works so well considering it tackles that strangeness head-on. Aside from featuring Glimmer'south most recognizable riff this side of "Dammit", the song is an honest, relatable assessment of what it feels like to be dragged kick and screaming into machismo. It's rock and roll equally escape, yes, simply also as a kind of backpedaling. Let the rock bands of the '70s champion sex and drugs; these guys merely want to remember what information technology feels like to be kids once more.

—Collin Brennan, Result of Sound [31]

Carrie Bell at Billboard deemed the song a "peppy punk canticle"[7] while Spin columnist Jeffery Rotter called it an "ideal tonic for back-to-schoolhouse nausea."[32] A Kerrang! writer called the vocal "ridiculously infectious,"[33] while the New Musical Express (NME) derided the song as "more than mindless, punk-pop guitar thrashing from the world'south electric current favorite American brats ... on the plus side, the vocal — much similar Blink-182'south career, we promise — merely lasts for 2-and-a-one-half minutes."[30] Stephen Thompson, writing for The A.V. Club, complimented its catchy sensibility, remarking, "y'all'll never go broke creating an canticle for immature postal service-adolescents, even working inside a well-worn genre."[34]

Subsequently reviews have subsequently been positive. Jon Blisten of Beats Per Minute deemed information technology one of the record's "finest songs," calling it a "twisted, self-depreciating examination of human-children."[35] In 2014, Chris Payne of Billboard called information technology "the quintessential Glimmer manifesto — the story of a xx-something who still acts like a child."[36] The website Outcome of Sound, in a 2022 top ten of the band's all-time songs, ranked it every bit number six, with writer Collin Brennan observing that its title is "the question underpinning the entire Blink ethos".[31]

Music video [edit]

Filming [edit]

The opening shot depicts the band running nude down 3rd Street in Los Angeles.[37]

The music video for "What's My Historic period Once more?", directed past Marcos Siega, features the band running in the nude through the streets of Los Angeles, likewise as through commercials and daily news programs.[38] Information technology was filmed soon after completing the album, and was co-directed past Brandon PeQueen. Siega and PeQueen developed the idea from the ring's onstage antics; Barker would frequently strip down to his boxers due to heat, while Hoppus would sometimes disrobe entirely, with only his bass guitar roofing his genitals.[39] Siega had known the band for many years at that signal, having seen them play minor clubs years before.[40] He partially credited the idea to a belatedly-night talk show segment almost a streaker. Hoppus and DeLonge were immediately receptive to the idea; Barker less so. "My brain kept going to the sort of anti-institution punk rock ethic that I associated them with. But non in an aggro mode. They always came across to me every bit doing it with a flash," Siega later recalled.[16]

The group wore flesh-colored Speedos for about scenes.[41] The clip features a cameo appearance past porn star Janine Lindemulder, the model featured on the cover of Enema of the State.[42] Barker remembered that motorists "kept staring at u.s.a. and honking their horns," and that the entire filming took nearly fifteen hours. "They almost got into accidents," Hoppus told Rolling Stone.[43]

Popularity [edit]

The video kickoff began receiving airplay in early May 1999, debuting on U.South. television channels MTV, MTV2 and The Box.[44] The video was MTV's second-well-nigh played video for the week ending August one,[45] and remained a popular video on the channel for over ii years.[46] The video was nominated for Best Alternative Video at the 2000 MVPA Awards,[47] but lost to Foo Fighters' "Learn to Fly".[48] The band referenced the clip at the 1999 Billboard Awards, which opened with a clip of the band streaking through Las Vegas,[49] as well every bit through appearances on Full Request Live and the scripted sitcom Two Guys, a Girl and a Pizza Place.[fifty] Entertainment Weekly writer Chris Willman called the video "ubiquitous".[14]

Marcos Siega, the video'due south director, in 2014.

The video gave the band a reputation for nudity,[38] leading many critics to pigeonhole them as a joke human activity.[fourteen] "It became something of an albatross as band members grew up," wrote Richard Harrington of The Washington Post.[50] "You know, when we were filming the video for "What'due south My Historic period Once again?" the whole naked matter was but funny for like 10 minutes. Then, I was the guy standing naked on the side of the street Los Angeles with cars driving past me giving me the finger and shit. Information technology'southward funny watching the video now, but at the time, it stopped beingness funny ten minutes in, and it definitely wasn't funny three days into it," recalled Tom DeLonge.[38]

This reputation would pb the band members to take command of their marketing and paradigm, equally DeLonge later commented in 2014:

We were so naïve that nosotros would run around naked, but they'd brand information technology all glossy and put it on posters and make it wait like we really were some kind of erotic boy ring or some shit. We were coming from the punk scene, but the label fashioned a whole thing effectually us that we didn't even sympathize; we were but kinda caught up in information technology. So it took us a little bit to dig out of that and come back to who we actually were. And it's hard to practise that once people spend millions of dollars making y'all into something visually that we weren't.[51]

Legacy [edit]

"What's My Age Once more?" has endured as among the band's almost popular songs, and has widely been considered a watershed moment for pop punk as a genre. Several of the grouping'south contemporaries ranked the song amidst the near genre'south most influential, including Jack Barakat of All Time Low, Pierre Bouvier and Chuck Comeau from Simple Programme, and Tyson Ritter of the All-American Rejects.[52] Rolling Stone 'southward Nicole Frehsée wrote that, "For a new generation of emo fans and bands, Blink's irreverent, upbeat take on punk rock with hits like "What's My Age Once more?" and "All the Pocket-size Things" was hugely influential."[53] 20 years after the song'south release, Hoppus noted that fans often decorate altogether cakes on their 23rd birthday with the lyric "Nobody likes you when you're 23", which he felt was an accolade.[three] The band later paid homage to the song'due south infamous video in the music video for their 2022 single "She's Out of Her Mind". The clip sees modern-day social media personalities running in the nude in Los Angeles. Lindemulder'south place in the video was taken by role player and comedian Adam DeVine.[54]

The Hollywood Reporter 'south Mischa Pearlman, in a review a 2013 concert by the group, wrote that the song "visibly infects every member of the audience. Considering it'due south a vocal that recalls the reckless abandon of youth, and the carelessness of growing upwards."[55] Although the magazine gave the song a scathing review upon its initial release,[thirty] NME placed it at number 117 on its list "150 All-time Tracks of the By 15 Years" nearly thirteen years later, writing, "Few songs capture the urge of wanting to act stupid and be immature as well as this 2000 single does. [...] This is everything pop punk does well. Its guitar riffs seem to have been soaked in Relentless and its chorus makes y'all want to bound around the room. Information technology's been imitated thousands of times since, but nil'due south come close to this..."[56]

By the belatedly 2000s, club promoters in the U.Yard. created nights based effectually lasting appreciation of the pop punk genre, including one named afterward "What'southward My Historic period Again?", described as a night celebrating "popular-punk, youthful abandon and teenage anarchism".[57] British radio station BBC Radio 1 take a department on one of their shows named after the single and using it as the theme vocal. Greg James originated the game on his drivetime show, and has moved it to The BBC Radio i Breakfast Show. The game sees Greg pitted against an opponent, typically a fellow Radio 1 DJ/presenter or celebrity guest. In the game, three listeners phone in and talk to the competitors, who take it in turns to enquire questions, then endeavour to guess the listeners' age.

On March 26, 2019, the song was lauded by Princeton professor of music Steven Mackey during an interview between Hoppus and Mackey given at Princeton University.[58] Mackey praised the lyrics past proverb, "it's very much this portrait of this kind of 23 year old... Peter Pan complex", noting his enjoyment of the structure of the song, besides as its tone. Mackey stated, "after the 2d chorus there's this instrumental break. And in that location's a lot of instrumental breaks in glimmer, which I really like. This one in particular, it goes to a pocket-sized key. All of a sudden, it's kind of melancholy. And when they come out of that instrumental break, and I hear the remainder of the words, it's sort of similar... I feel like, wow, was that a moment of reflection? And and so information technology's like, 'Ah, fuck information technology. Whatever.' It has that feeling. It sort of deepens information technology for me."[59]

Mashup [edit]

"What'south My Age Again? / A Milli"
Single by Glimmer-182 and Lil Wayne
Released August 23, 2019 (2019-08-23)
Genre
  • Popular punk
  • rap rock
Length two:25
Characterization Columbia
Songwriter(s)
  • Mark Hoppus
  • Travis Barker
  • Tom DeLonge
  • Dwayne Carter
  • Ali Shaheed Muhammad
  • Kamaal Ibn John Fareed
  • Shondrae Crawford
Blink-182 singles chronology
"Darkside"
(2019) 		"What'southward My Historic period Over again? / A Milli"
(2019) 		"I Really Wish I Hated You"
(2019)
Lil Wayne singles chronology
"Be Like Me"
(2019) 		"What's My Age Again? / A Milli"
(2019)

In May 2019, the ring recorded a live mashup of the song with hip hop artist Lil Wayne, to promote their joint headlining bout.[60] The track combines "What'south My Historic period Again? and Wayne'southward 2008 unmarried "A Milli". The duo afterward released a joint digital single featuring a studio version of the mashup in August of that year.[61] The track features Matt Skiba, who replaced founding guitarist Tom DeLonge in 2015, performing backing vocals and guitar. A printing release promoted the new version, which was released to promote the second leg of the same tour, as a "new take on the track."[62]

The Fader contributor Jordan Darville noted that Wayne altered a lyric from his original verse, substituting the term "crackers" for "bitches".[63]

Credits and personnel [edit]

Original version [edit]

Credits adapted from the liner notes of Enema of the State.[9]
Locations

  • Recorded at Signature Sound, Studio West, San Diego California; Mad Hatter Studios, The Bomb Factory, Los Angeles, California; Conway Recording Studios, Hollywood, California; Big Fish Studios, Encinitas, California
  • Mixed at Conway Recording Studios, Hollywood, California; South Beach Studios, Miami, Florida

Personnel

Mashup version [edit]

Credits adapted from the YouTube video for "What's My Historic period Again?" / "A Milli". Barker is credited with songwriting on this edition, as opposed to his original credits for Enema of the State.[64]
Personnel

Blink-182
  • Mark Hoppus – bass guitar, vocals, songwriting
  • Matt Skiba – guitars, vocals
  • Travis Barker – drums, percussion, songwriting

Additional musicians

  • Shondrae Crawford – songwriting
  • Tom DeLonge – songwriting
  • Kamaal Ibn John Fareed – songwriting
  • Ali Shaheed Muhammad – songwriting
  • Lil Wayne – vocals, songwriting

Production

  • Matt Malpass – engineer
  • Rich Costey – mixing engineer
  • Chris Athens – mastering engineer

Charts and certifications [edit]

References [edit]

Footnotes [edit]

  1. ^ "150 Best Tracks Of The Past 15 Years". Nme.Com. Retrieved Jan 12, 2012.
  2. ^ "The Twelvemonth in Music 1998: Hot Mod Rock Tracks" (PDF). Billboard. December 26, 1998. p. YE-84.
  3. ^ a b c d e f grand h i j thousand DeMakes, Chris (Oct xix, 2020). Chris DeMakes a Podcast. Ep. 21: Mark Hoppus discusses blink-182'south "What's My Historic period Again?". Spotify.
  4. ^ Aniftos, Rania (Oct 10, 2020). "Blink-182's Mark Hoppus Reveals the Light-green Day Song That Inspired 'What'south My Age Over again?'". Billboard . Retrieved November 2, 2020.
  5. ^ "Blink-182: Inside Enema". Kerrang! (1586): 24–25. September 16, 2015.
  6. ^ a b Barker & Edwards 2015, p. 122.
  7. ^ a b Bell, Carrie (August fourteen, 1999). "The Mod Age". Billboard. Vol. 111, no. 33. p. 99. Retrieved June one, 2014.
  8. ^ Nitsuh Abebe (September 25, 2011). "Sentimental Pedagogy". New York. Archived from the original on September 6, 2012. Retrieved September five, 2012.
  9. ^ a b c Enema of the State (liner notes). Blink-182. United States: MCA. 1999. 11950. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. ^ Barker & Edwards 2015, p. 119.
  11. ^ "Blink-182 What's My Age Again? – Digital Sheet Music". Music Notes. EMI Music Publishing. Retrieved April twenty, 2011.
  12. ^ a b Bennett, Dan (2008). The Total Rock Bassist, p. 63. ISBN 978-0739052693
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  14. ^ a b c Willman, Chris (February 25, 2000). "Nude Sensation". Entertainment Weekly. New York City: Time Inc. (527). ISSN 1049-0434. Archived from the original on January 27, 2013. Retrieved January 7, 2013.
  15. ^ Barker & Edwards 2015, p. 123.
  16. ^ a b Siegel, Alan (July 31, 2019). "Don't Grow Up, Blow Up: The Rise of Glimmer-182". The Ringer. Archived from the original on July 31, 2019. Retrieved July 31, 2019.
  17. ^ Tingen, Paul (April 1, 2000). "Tom Lord-Alge: From Manson To Hanson". Sound on Sound.
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  30. ^ a b c Shooman 2010, p. 69.
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  38. ^ a b c Hoppus 2001, p. 97.
  39. ^ Barker & Edwards 2015, p. 124.
  40. ^ "Marcos Siega: The Rock Guy". MTV News. 2000. Retrieved March 5, 2015.
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  49. ^ Shooman 2010, p. 71.
  50. ^ a b Richard Harrington (June 11, 2004). "Seriously, Blink-182 Is Growing Up". The Washington Post . Retrieved Feb 25, 2014.
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  52. ^ Kaplan, Ilana (November xx, 2020). "10 Pop-Punk Artists On The Genre's Essential Tracks". Nylon . Retrieved Oct 22, 2021.
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Sources [edit]

  • Barker, Travis; Edwards, Gavin (2015). Can I Say: Living Large, Cheating Death, and Drums, Drums, Drums. William Morrow. ISBN978-0-06-231942-5.
  • Hoppus, Anne (October i, 2001). Blink-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN0-7434-2207-4.
  • Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakdown & The Return. Independent Music Press. ISBN978-ane-906191-x-viii.

External links [edit]

  • Music video on YouTube

zimmermannancterionts1956.blogspot.com

Source: https://en.wikipedia.org/wiki/What%27s_My_Age_Again%3F

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